WWE

WWE: Who should win Money in the Bank?

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As we continue to roll through the doldrums of the WWE’s calendar, one of the most exciting events of the year has suddenly crept up on all of us.

Since the introduction of the Money in the Bank Pay-Per-View in 2010, it’s stood out from the rest of the PPV cluster due to the importance and thrill of the MITB ladder match.

Any ladder match is going to have an extra bit of intrigue because, at its core, it is a hardcore match with multiple people falling off of ladders from eight to 12 feet. When you have five, six or even seven competitors crashing through tables from a high distance, the crowd is going to be even more invested than they normally are in a ladder match.

Add in the fact that the winner of the Money in the Bank match can “cash in” the briefcase for a world championship opportunity on any show for up to a year and you can understand why this show is a big deal for fans of the product.

There have been 17 Money in the Bank ladder matches in the history of WWE and 14* of the winners have gone on to become champions (asterisk is needed because Mr. Kennedy won the MITB match at WrestleMania 23, but dropped the briefcase to Edge on an episode of SmackDown. Edge would then successfully cash in against the Undertaker).

Winning the match is typically a sign that the person is about to get boosted up the card. Holding the briefcase elevated characters like Edge, The Miz, Daniel Bryan*, Alberto Del Rio and Seth Rollins into the main event picture. (Note on Bryan: Even though this wasn’t the Yes movement version of his character, Bryan started showing signs of finding his WWE voice after winning the match in 2011.)

Not everyone has had main event level success though. Jack Swagger’s title reign was a dud. CM Punk is the only two-time winner of the MITB match, but his first run with the title was lackluster at best. Damien Sandow had a thrilling television match against John Cena, but his momentum quickly flattened out after he became the first person to lose clean during cash in attempt.

Last year, Dean Ambrose climbed the ladder and retrieved the briefcase and then cashed it in later on in the night. Ambrose would pin Rollins (who had just beaten Reigns clean) to become the WWE champion.

I don’t expect the winner of this year’s Money in the Bank match to cash in on the same night as the show, but depending on who wins, the briefcase won’t be out in the wild for too long.

Let’s take a look at the field in the men’s match first and see if we can’t figure out who is going to walk out of St. Louis as Mr. Money in the Bank:

Kevin Owens (Odds 25/1): With Owens currently holding the United States Championship and running with this “New Face of America” character, it would be overkill for him to also have the MITB briefcase. I do totally expect Owens and Sami Zayn to pull off some crazy spot that hearkens back to their ROH days.

AJ Styles (10/1): In the month since his United States title match against Owens, it feels like Styles has taken a backseat to Shinsuke Nakamura. He’s still excellent in the ring – just look at how smooth this Styles Clash is – but his character feels a bit aimless right now, which has become a common thread among a good chunk of the main roster.

He’s still getting a nice pop every week, which is impressive when you consider how badly creative struggles with booking good guys, and odds are he’s going to be in a prominent match at SummerSlam. This then would make sense for him to win the contract and then declare that he wants to cash it by challenging the champion to a match in Brooklyn.

Dolph Ziggler (40/1): Not as crazy as you’d think. Ziggler’s heel turn hasn’t meant anything, but a heel Ziggler cashing in the title after a young guy wins the title for the first time could be a way to boost Dolph …

… Yeah, you’re right, how many times have we thought that Ziggler’s character was going to become serious, only for him to keep the same look, mannerisms, and movements that he’s been repeating night in and night out for the better part of this decade?

His role in this match is important. He’s the veteran who needs to make sure the match moves at the correct pace, which could be a challenge considering half of the guys in this match have never participated in something like this before.

GAH, that sounded like a line JBL will probably say on Sunday. Excuse me for a second …

Sami Zayn (15/1): It’s hard to believe that Zayn will win this match considering his character is basically just a goober who doesn’t understand how to properly hold a conversation. At times, Zayn comes off like a comedy guy, instead of someone who is trying to win the world title.

If there was a time to change the course with Sami and give him a new direction, this is the moment. But the fact that he’s got three wins over Baron Corbin recently led me to believe that he’s not getting the briefcase.

Baron Corbin (3/1): The “Lone Wolf” has constantly been referred to as a future WWE champion by the SmackDown commentary team and now would be the right moment to push Corbin up to the top shelf.

With how WWE books, Corbin’s recent losses to Zayn actually bode well for him. Typically creative likes to have a guy lose a few times before they rebound with a big win. It makes little sense, but when you see the booking pattern, you can’t unsee it.

So why is Corbin my favorite to win on Sunday? Simple, Vince and Co. still have high hopes for him and he reportedly has a big push coming in the second half of the year. He has the look of a champion, but in-ring work still needs some fine tuning because the crowd tunes out during his matches and his promos aren’t exactly memorable.

Hopefully, the briefcase can work its magic with this one.

Shinsuke Nakamura (6/1): Nakamura doesn’t need to win the MITB match to help his stock. Even though he doesn’t quite feel as special as he did during his first few appearances, Nakamura is already established as one of the top babyfaces on SmackDown.

Similar to Styles, I can foresee a scenario in which Nakamura wins the briefcase and then challenges the WWE champion to a title match at SummerSlam. As a noble babyface, this would be the right move for Nakamura’s character.

The road to Nakamura winning his first world title in WWE is a storyline that shouldn’t be glossed over by creative. The summer of Shinsuke could be extremely fun and provide us with something to grab onto as fans because right now, it’s hard to care about anything that’s happening on WWE television.

As I mentioned earlier, for the first time, five women will step into the ring for a Money in the Bank match, so let’s repeat the device I used above:

Charlotte (20/1): Much like Nakamura and Styles, Charlotte doesn’t need to win the MITB match. The crowd is already invested in her and winning the briefcase isn’t going to help. There are plenty of other girls who could really benefit from a win, so it would be a waste to give it to the girl from the Queen City.

Becky Lynch (20/1): Everything I said above about Charlotte applies to Becky as well. Even though it’s felt like she has been floating on the show without any direction, there’s no need for her to win this match.

Carmella (4/1): Frankly I’m surprised Carmella hasn’t won the SmackDown women’s title already, but now is a perfect opportunity to guarantee that she will eventually hold the title. Just imagine the possibilities of James Ellsworth trying to help her cash in the contract, only for their plan to be thwarted until eventually she cashes in on a vulnerable champion.

Tamina (7/1): 7/1 odds!? She’s essentially Nia Jax lite, so you know Vince has at least considered the possibility of giving Tamina the briefcase. She had a better than expected match against Naomi this past Tuesday, so if she does win on Sunday, it will be fair to wonder if that match was a jumping off point for her.

Natalya (13/1): It wouldn’t shock me if Nattie won, but her carrying around the briefcase for a few months does feel pointless. Like Ziggler, she’s the veteran in this match, but her job is much harder than Ziggler’s because she’s never had to keep a ladder match, let alone a Money in the Bank ladder match together.

Twitter: @ScottDargis

 

Adam Cole: I want to have the biggest personality in the room and not just on the microphone

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Before Adam Cole heads to the Smoothie King Center for NXT TakeOver: New Orleans, this Saturday at 8 p.m. ET on WWE Network, I chatted with him about how much he’s learned during his time in NXT, what makes the NXT crowds special and what it was like to meet Shawn Michaels. 

About a year ago you said that if you made the jump to WWE that you would want to start off in NXT as opposed to going right to the main roster, flash forward to now and you’re an established star in NXT. Is this part of your journey everything you thought it would be?

“Yeah for sure. When I come into a situation, especially like this one in NXT, my goal is to get to perform in front of these fans, to get to wrestle with these guys, who are in my opinion, some of the best wrestlers in the entire world. I felt like I could fit really well in this environment and I think I have. To get the chance to do what I’ve done here so far has been a total blast and so much fun.

But at the same time it’s exceeded my expectations in many ways. I’ve gotten to do things in NXT, and even WWE, that I didn’t imagine I would get the chance to do. Very happy with the journey so far.”

In what ways have you grown as a performer since coming to WWE?

“There’s just such a better understanding of who I am actually as a performer. You fall kind of into … I don’t want to say a routine because you’re always trying to improve and get better, but when you wrestle for certain organizations time-and-time again, you kind of fall into this routine of performing a certain way and having matches a certain way. Also, after a while you’ve wrestled everyone over-and-over again.

Getting to come here and getting to wrestle a bunch of new talent, some guys I’ve met before and some guys that I’ve never met before. It puts you in a situation where you learn to adapt and change, whether it be character wise, things that you do in the ring. It just gives you new challenges.

I’m teaming a lot more with Bobby Fish and Kyle O’Reilly, so that throws me into a different situation as far as learning to wrestle as part of a team as opposed to working solo most of the time.

Also the fans, I’ve noticed in each and every promotion, even though there are a lot of similarities in many different ways, NXT is a totally different animal.

Overall, adapting has been the biggest growing point for me.”

Interesting, in what ways are the NXT crowds different from the other promotions you’ve worked for.

“The NXT fans to me are in love and so infatuated with the characters. So to me when you see a guy like Velveteen Dream or No Way Jose and the way that they’re so invested in them as performers, not even necessarily with what they’re doing between the ropes, but in their entrances.

I feel the connection with the audience is just so much greater than anything I’ve felt before. It’s pretty incredible, especially when you’re at TakeOver events.”

When I watch the backstage segments with you, Kyle, and Bobby, they come off like old school nWo style promos. Obviously the music playing in the background, which sounds like a new age nWo theme, and the camera angles help, but it’s the natural chemistry you guys have on camera because it seems like you’re just having fun and being yourselves on camera. I would imagine it has to be awesome to just bounce off of each other while filming those.

“Oh man yeah, it’s so much fun. I think that’s exactly why it comes off that way. Me, Bobby, and Kyle are as close as it gets. That’s not just a performance. I’ve known Kyle O’Reilly since 2009 and I was in his wedding. I’ve known Bobby Fish for years and years, we used to travel together all of the time. We talk every single day.

So when we’re there and we’re talking in front of the camera, that’s just us having a good time and I think that’s a big reason why the group works so well. It’s very natural because it’s very real. So I think in turn how we project ourselves comes off as fun because we are genuinely having a great time together.”

Speaking of coming off natural, you come off so natural on the microphone. I talked with Ronda [Rousey] this week about where she’s at in terms of speed while talking in front of the live audience and then I asked Roman [Reigns] about it and he talked about how he was able to process the idea of taking his time to make sure he stopped rushing through his material.

Is the speaking part of the business something that you were able to gravitate towards and get comfortable with quickly?

“I think so. There is a constant growth process. I think that’s why I love this job so much. There’s no such thing as completely perfecting every area of it, you’re always trying to get better at it.

For me, I picked up the promo aspect of pro wrestling much faster than the actual wrestling part of it. I was always fairly athletic and I could do things even from the beginning of my career, when I was 18 and 19 years old. I was always the guy who could always string words together and found what I was saying to be actually believable however I was trying to come across, whether that be somewhat likeable or somewhat of a jerk.

I don’t know why that is, but I remember as a kid just being so fascinated by guys who were good talkers. Even in movies. I used to love the way James Bond villains would act and how cool they came across and how awful they seemed, but what they were saying was so believable.

I’ve always been fascinated by guys, especially bad guys, who were able to talk a certain way, tell stories with their words and just paint this beautiful picture for that you just completely rode along with. I’ve focused a fair amount of time on making sure that promos were something I really focused on.”

Your in-ring style is very interesting to me. You’re a smaller guy, but you work a style that is similar to a lot of bigger guys and it’s because of this slower pace that the spots actually mean something, especially when you build up to the climax of a match. Is that a pace that you’ve always had, or was there a certain point where you were like, OK I need to slow down now and figure out what works for me?

“That was something I developed over time. When I first started, I was definitely a guy that was doing every move under the sun and I was going a million miles an hour and just trying to wow the fans as much as I could. I thought that was the way to get them invested in me. Don’t get me wrong, that style is very impressive, but I on purpose work a certain style. It’s very important for me to do that.

It’s obvious that I’m not the biggest guy in the world, but I want to have the biggest personality in the room and part of that personality isn’t just on the microphone. That’s the way I have to project myself in the ring as well.

All of my favorites in this business really took their time. They made everything they did mean something. Every movement they made had a purpose and that’s the type of performer I’m most comfortable being and that’s the type of performer I want to be too.”

There are so many performers doing unbelievable things we’ve never seen before on what feels like a weekly basis now, but after 20, 30 minutes go by and the match ends, I’ve seen so many big spots that it just feels like a blur, where as your matches build up to a few big spots that are easy to remember.

For instance, I watched your match with AJ [Styles] in Ring of Honor recently and you guys worked such a slower pace, but it built up to a huge finishing spot that is going to stick with the viewer. When I come across a match like that one it just feels so different in comparison to a lot of the matches we’re seeing nowadays.

“Sure, sure. You bring up AJ and he’s the king of that. AJ is a guy that can do anything under the sun. He’s one of the most athletically gifted guys there is, but AJ is able to place his stuff and put it in situations where he has the fans completely in the palm of his hand.

He knows he can do anything, but he knows that the biggest reaction he’s going to get from the audience is working a certain style and taking them on this ride by building a story within the match.

Doing a million things is very impressive, but if you forget 90 percent of it, it’s kind of a shame.”

How many times has someone come up to you at the Performance Center and said you look like Shawn Michaels?

“(Laughs) More times than I can count. Whether that be at the Performance Center, whether that be fans. I think I get at least five or six tweets a week about how I look like Shawn Michaels. To me it’s just a giant compliment.”

Has he said that to you?

“Yeah! When we first met he said, ‘A lot of people tell me that you and I look alike and now that I met ya I see what they mean.”

Who is somebody in NXT that you haven’t had the opportunity to work with yet that you’re looking forward to getting in the ring with?

“I’ll tell you what, I would love the chance to have any sort of a program with Velveteen Dream. I think that guy has so much potential. He’s so good now. His understanding of the industry for his age is unbelievable. His natural talent is the same. I watch him, I’m captivated by what he does, so to get the chance to be in there with him in some capacity would be great.”

Twitter: @ScottDargis 

Ronda Rousey Now Has the Chance to be Herself

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Even though there are certain aspects of the professional wrestling business that feel natural to her, which shouldn’t come as a surprise considering she’s a former Olympian and was one of, if not the most dominant female fighter in the history of mixed martial arts, Ronda Rousey knows she still has a lot to learn about the second act of her professional career.

The “Rowdy” one grew up as a huge wrestling fan, but then learned at a later age that the action was choreographed. It was a discovery that drove her away from paying attention to the business.

Fast forward to her time on top of the UFC and there she was sitting on the couch, with her friends, watching Monday Night Raw as a fan again. Thanks to Shayna Baszler’s insistence, wrestling once more became a part of Rousey’s life, but this time it acted as an escape from the rigorous world of MMA. It was a window into another world that gave her the ability to just kick back and relax.

Fast forward again to today and now pro wrestling is no longer a way for Rousey to relax, it’s the main focus of her life.

You can watch WrestleMania live around the world April 8 on the WWE Network at a special start time of 7 p.m ET. 

She’s all in, which means she now must adjust to a world that isn’t exactly the easiest to become comfortable in considering her entire athletic career has been focused around the idea of finishing her opponent to find success. Now she must work with an opponent to make the music that will gain a response from the crowd.

It’s that major change that Rousey called her “biggest adjustment” when I chatted with her last week. “I’ve learned a lot about teamwork. That’s basically the main thing. Being in a team environment and working with everyone to make it great. It’s actually been a real joy to learn and to feel less lonely in my endeavors.”

But playing nice with others isn’t as easy as it looks. There are major alterations that had to be made in order for Ronda’s physical work to be fit for television.

“I mean things that I’ve already done in the past a million times feel natural, but how and where we’re applying them is still unnatural. Like the timing things are a little weird and have been been hard for me to pick up. I’m used to being as compact as possible. I’m used to trying to hide my face,” Rousey said.

“There are just a bunch of little things like being aware of where the cameras are and stuff like that. Stuff that I’ve never thought of once in my life are things that I now have to keep in mind. I think the pace and timing are the biggest adjustment. The actual techniques are there, but they also have to be adjusted as well. Every throw I’ve done has been with the intention to inflict as much harm as possible and not to look good, so I need to change things to make everything look more grand and be more safe. To work with somebody else and to learn to take cues when my whole life I’ve kept things very secret and sudden has been a huge adjustment.”

During her training for fights, Rousey would focus on figuring out ways to submit her opponent while she rolled or performed judo with her training partner. Her coaches would watch her technique to figure out what she could potentially apply in her next fight.

She’s still rolling and doing judo techniques with a training partner now, mostly Shayna, but instead of figuring out ways to put her opponent away, she and the trainers down at WWE’s Performance Center are figuring out which techniques can be applied to a live match.

“It’s not really like I need to get more reps with judo. I’ve done enough judo stuff for several lifetimes. There’s so much that both of us do that we really don’t think about and so I like to have someone like Sara Amato watch Shayna and I or anyone else, roll around and see if she could spot something that might be applicable in the ring,” Rousey said.

“I can’t be like, ‘Hey this is what I did’ because there are so many times when I’m in a grappling exchange or sparring and I’ll just do something that I know is brilliant and the other person doesn’t even know how they ended up getting caught, but I know it was great and then I end up moving on and forgetting about it.”

Ronda continued, “It’s not like I’m walking in there and I’m going to do some grappling that looks cool, but doesn’t work for wrestling. It’s like, ‘Hey, we’re going to go work over here, tell us if anything is useful.’ Sara will step in from time to time and ask us to do something again or change it around so we do it like this. It’s been a big help.”

The concept of maximizing “spots,” which is wrestling lingo for a big move or moment in a match or segment, is something that Rousey has studied feverishly over the past few months. It’s easy for someone new to the business to feel like they have to get all of their stuff in during a short amount of time, but this can actually be a detriment because it means none of the moments that are supposed to leave a lasting impact will be felt by the audience.

In order to help her understand just how important small movements are to building up to a big spot, WWE wrestler and well-respected trainer Brian Kendrick gave Rousey a key homework assignment that helped her unlock the concept of how to put together a match.

“He had me watch Hulk Hogan vs. The Undertaker [from Survivor Series 1991] just to teach me how much it really is all about the story and how little physically I really need to do. I don’t need to be a spotty person,” Rousey explained. “The Undertaker going down on one knee is all that needed to happen in order to get a reaction from the crowd. They really didn’t do that much physically to each other. That was a really good learning session for me. I can have this tendency where I go, ‘I know so, I know so, I know so,’ and I’ll do all of these things, but that match really taught me where to apply things intelligently instead of just throwing them out there.”

But it can be hard to avoid throwing everything you have when you get nervous and start moving fast, which is something that Rousey is self-aware of, especially when the microphone is in her hand.

“My sentences are chopped up into little pieces, so what seems to me like three seconds is probably more like one second. That’s one thing I’m learning. Once I think it’s been too long, to wait even more. I need to triple how patient I am,” she said.

It was evident to see just how different the speed was for someone who is still clearly getting adjusted to the nuances of the business and someone like Paige, who has grown up in the wrestling business and very clearly understands who her character is and more importantly, how her character should sound.

Rousey knows she has a long way to go in order to gain the confidence she needs to cut a badass promo, but she’s determined to find her voice and to not sound like anyone else who has come before her.

“It wouldn’t make sense for me to walk out there and cut a promo like Paige because she has been in this business since she was a little kid. She doesn’t talk like I do and if I walked out there and started talking like that, nobody would buy it because I know that I don’t talk like that,” Rousey said.

“It’s a fine line to walk,” she continued, “I have to be myself, but mold myself to fit into that environment because there is a risk of trying to do too much that will make people roll their eyes at me. I don’t want people to look at me and go, ‘Oh look at Ronda trying to be a pro wrestler.’ I want to go out there and speak as myself. That’s it. That’s what I’m good at. I can speak to large crowds of people and I’ve done that for years and now I need to find my own way instead of copying other people’s way.”

But having someone like Paige backstage is only going to assist her in her goal to become the best she possibly can be in this business and it’s something that she’s very conscious of.

“Having all of the examples around me really help like Paige, who is conquered a style and really made it work for her. She’s molded it through years of practice. I’m just surrounded by amazing examples.”

One of those amazing examples is Goldust, who is the eldest son of the legendary “American Dream” Dusty Rhodes. Goldust is a true veteran of the industry and is someone that Rousey was absolutely thrilled to meet.

“Goldust took me aside the other day and gave me some advice and I was like, ‘Oh my God it’s Goldust and he’s giving me advice.’ I was geeking out so hard while still trying to receive information (laughs).”

In the previous act of her life, Rousey was forced to talk in a reactionary style interview. A microphone would be put in her face after a fight and she would have to respond to questions about how she forced her opponent to submit and then call out someone for her next fight.

In this act, Rousey must use her microphone time to drive along a story line with specific pieces of dialogue. It’s a totally different style, but one that she finds liberating.

“I think it’s more of a release than anything. I was always on the defensive, on guard. They were asking me questions with a certain answer in mind, they were trying to get a reaction out of me.” Rousey said of her MMA interviews.

“I think this is like a cool discovery process,” she continued. “People say, ‘Well who is your character?’ But I’m really thinking like, who am I because I’m me out there. I have to be much more introspective than I would in a reactionary environment.”

As Rousey continues to figure out how to apply her voice and her physical gifts to achieve greatness in this stage of her career, she is also going through a journey on a personal level to find herself, to find happiness outside of a world that made her name famous across the globe.

“I’ve never been allowed to just be myself,” she said.

Well now is her chance.

Twitter: @ScottDargis