WWE

WWE Weekly Recap: Drinking in the Evolution of Chris Jericho

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If you were one of the few people who tuned into Raw on Monday night instead of Monday Night Football, you witnessed another mediocre edition of the WWE’s flagship show.

The three hours didn’t drag as badly as last week, but at times the show’s cringe-worthy writing made it easy to flip over and watch Antonio Brown twerk his way to another incredible night in fantasy football.

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Now, not every segment was as bad as David Otunga’s commentary though. Some of the show was actually very good. The main event between Roman Reigns and Kevin Owens is worth seeking out if you decided to take your eyeballs to a different channel. While you’re searching for that match, you should also find the Highlight Reel segment between Sami Zayn and the subject of my main story this week, Chris Jericho.

Drinking It In

When Jericho returned on the first Raw of 2016, he rehashed his infamous promo with The Rock from his initial WWE debut in 1999, which was the beginning of a theme.

Over the next couple of weeks, Y2J seemingly felt out of place on the roster. Some wondered if he was intentionally playing an old wrestler who was out of touch because week after week Jericho would talk about himself as though he was one of the top guys on the roster, even though he had fallen from that pedestal due to the number of pedestrian runs he had in the last four years.

Remember his lackluster feud with Bray Wyatt?

His tussle with Ziggler for the MITB briefcase?

What about his loss to Fandango at WrestleMania 29?

Or his feud with Ryback? (I totally forgot that this is how Jericho was written off of TV in 2013.)

When Jericho would come back after a hiatus, it would be cool for one week or two and then he would fade away to the mid-card. The guy still worked his ass off, but his shtick felt dated.

After an impressive showing in this year’s Royal Rumble, Jericho tagged and then feuded with the vanilla babyface version of AJ Styles. It was the first time since 2012 that Jericho worked as a heel, but his impact still felt minimal. The Lite-Brite jacket certainly didn’t help, nor did his lack of in-ring chemistry with Styles. Y2J looked a step slow, which is perfectly acceptable for a 26-year veteran of the business, but it’s not acceptable when he’s working in a coveted WrestleMania spot.

After his feud with Styles finally ended, Jericho moved on to a wacky series of matches with Dean Ambrose that culminated with the forgettable Asylum match. Besides Mitch the plant, this feud appeared to help no one, but it was actually the turning point for Jericho. Ambrose “destroyed” the G.O.A.T’s light-up jacket, so Jericho started wearing a ridiculous scarf to the ring. It seemed so stupid at first, but it was actually a sign that Y2J was evolving.

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Not only did Jericho end up getting the scarf over, he has somehow managed to:

Produce a “stupid idiot” chant.

Give Tom Phillips 698126 different names.

Get the word “it” over to a point where the crowd pops heavily for it every week.

Once again become one of the best performers on the roster.

Instead of groaning when his music hits, I now can’t wait for Jericho to come onto my TV every Monday night. His facial expressions were absolutely hilarious this week and his promo with Zayn were the best 5-8 minutes of the entire episode. (Zayn should be commended here as well; he bounced back-and-forth with Jericho perfectly.)

This version of Jericho is essentially a fusion of his two best characters: The longhaired goofball from WCW and the serious heel from his 2008 run. You could see a change begin to take place with Jericho when he started interacting with Kevin Owens. It was in those segments that Jericho found his new voice and slowly started turning it up to an 11.

Jericho also has total control of the live crowd. He understands the little tricks needed to get someone cheered, which can be very difficult to do in 2016. The seed that he’s planting by calling Owens “my best friend” is pure brilliance. When Owens eventually turns on him, he’s going to be a white hot babyface and Owens is going to be a mega heel.

The guy is a wrestling genius. I shouldn’t have doubted him. Now excuse me while I drink the gift of Jericho.

CWC Preview

If you haven’t watched the Cruiserweight Classic, you should stop reading this column and quickly binge all of the episodes on the WWE Network. You know how much the network costs.

This genius creation by HHH is down to the final four. The semifinals, Gran Metalik vs. Zack Sabre Jr. and Kota Ibushi vs. T.J.Perkins and final match will air during a live two-hour special on the network. If these three matches follow the pattern that the rest of the tournament has set, we’re in store for a tremendous night of professional wrestling.

Metalik vs. Sabre Jr. is a really interesting match. Sabre Jr. is a mat-based wizard, while Metalik works a high-flying luchador style. Ibushi and Perkins could easily put on the best match of the entire tournament.

So who’s going to win the tournament? It’s not going to be Sabre Jr. because he has no intention to sign with WWE. Metalik and Perkins have signed with the company and will appear in the cruiserweight division on Raw.

That leaves Ibushi, who would be a lock to win the tournament if he signed a deal with the WWE, but he’s remained coy about his immediate future. Unlike Sabre Jr. who has flat out said that he won’t be signing, Ibushi has teased that he doesn’t plan on signing, but seemed to purposefully leave the door open.

It doesn’t seem like a good idea to introduce the cruiserweights on Raw without the inaugural CWC champion in the mix, so unless Ibushi signs a deal, or has already signed a deal, either Metalik or Perkins is going to leave Wednesday night with the gigantic trophy.

My pick is Perkins. He is a clean cut kid with a nice backstory and a unique move set that will easily get over in front of bigger crowds.

The live special could very well be the best live in-ring matches we see all year from the WWE.

Which show was better this week?

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This question was answered during the opening promo on Tuesday night.

Time to “Go Home”

– I really enjoyed Backlash. All of the matches were given time to breathe and even Kane vs. Bray Wyatt was enjoyable.

– Congrats to AJ Styles for becoming the first man to ever win the NWA, IWGP and WWE championships.

– Is there any doubt that he’s the best wrestler on the planet right now?

– You could really feel the passion from John Cena and Dean Ambrose in their promos this week.

– I love this new look for the Usos. They feel like a fresh tag team, especially with their new vicious move set.

– WTF is going on with Randy Orton? Does he have a concussion or not? I can’t imagine the company would let him physically perform with a concussion, but Dave Meltzer reported that he didn’t work with Wyatt at Backlash due to lingering concussion symptoms.

– This is the best Nia Jax has looked. I loved her aggression and the hair-swinging spot into the barricade looked wicked. The spear through the dasher wall got a nice reaction from the crowd.

– Best sign from this week “The eater of pinfalls”

– I’m really happy for Becky Lynch. The company booked her like crap for months and she’s finally going to get a chance to shine with the title, which btw looks much better than Raw’s.

– For the love of God, Clash of Champions better be the end of The New Day vs. Gallows and Anderson.

– If Gallows and Anderson don’t win the tag titles at COC, can they please be shipped over to SmackDown in a trade for the Usos?

– I think Jack Swagger’s promo on SmackDown was worse than Titus’ from a few weeks back.

– This is my reaction to The Miz’s current run:

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– If Foley and Rollins are going to have a talk, does that mean Rollins is out of the main event at COC? Maybe the winner of Zayn-Jericho should get the opportunity to face Owens for the title.

– I was shocked at how well the crowd reacted to Dana Brooke slapping Charlotte. The current Raw women’s champion has been playing the dick mentor role to a T, but is anyone really clamoring to see a Dana Brooke face turn? Charlotte can’t exactly carry someone through a match at this point.

– So the foreigner Rusev returns, costs Reigns a chance to wrestle for the championship, beats him up after the match and gets cheered? I think it’s time to turn Reigns heel.

– When will Rhyno turn on Slater?

– Roderick Strong in NXT? SIGN ME UP

– Yes, this graphic really aired during SmackDown:

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What a time to be alive.

Follow me on Twitter: @ScottDargis

Paul ‘Triple H’ Levesque’s quest to change WWE as we know it

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Paul Levesque, aka “Triple H”, has evolved from one of the top performers of his generation, to a prominent role behind the scenes as the Executive Vice President of Talent, Live Events and Creative for WWE. I had the chance to chat with “HHH” about what he specifically looks for when he’s recruiting new talent, why this past year has been so challenging for NXT and how he presents new talent to Vince McMahon. 

(Don’t miss NXT Takeover: Orlando on Saturday, April 1 at 8 p.m. ET Live on WWE Network)

Me: You’ve had an incredible in-ring career; a 14-time world champion. As I look up and down the WrestleMania 33 card I see so many NXT alums and I wonder, what did you learn from your time as a performer that has helped you as an evaluator of talent?

Paul “HHH” Levesque: “Oh man … everything that I’ve learned since I’ve walked through the door. The funny thing for me is that I’ve been in a unique position during my career. I was fascinated early with the behind the scenes and production aspects of the business.

So, shortly after I came to WWE I was in creative conversations with Vince that led to me to being offered to come to production meetings, which I didn’t have to go to. I would get up early on TV days and go to these production meetings that I didn’t need to be a part of. People thought I was crazy, but I wasn’t trying to do anything more than learn. I wanted to learn what they were looking for.

The vision of what the talent thinks they want and what the office thinks they want are sometimes two different things.

I have the unique perspective of having both sides and that allows me to I think look at talent a different way, but to also to be able to say here’s what you need to be able to do. Here’s the way you need to be able to work at it. Here’s the way you need to perceive cameras and how cameras see you. How you put your character out there and how you put your brand out there.

At the end of the day for us, characters are all about charisma. So that’s the thing you’re looking for the most. I see a lot of unbelievable athletes come through the Performance Center; sometimes they have charisma, sometimes they don’t.

I’ve hired a lot [of people] that have charisma, but aren’t necessarily the greatest athletes we saw that week because you just can’t take your eyes off of them.

For example, there’s a guy that I hired in China that everybody on the team who was over there didn’t put this kid on the list and when we went through the list at the end of the day of who we’re going to offer an opportunity to come and train with the WWE I was like, ‘Where’s this kid?’ and everyone was like, ‘You’re kidding, right?’

I was like, ‘No, where is he?’ He was heavy and a Mongolian wrestler, so he’s athletic but he’s heavier and in some ways he’s not anything we would look for, but he worked his butt off. He was always last, but he never quit man. He just went. Some guys would pull up with an injury and they’d go sit out. You could clearly tell that they were just gasping for air and needed to sit for a second. They’d be back ten minutes later.

He gutted through everything and you couldn’t take your eyes off of this guy. He did stuff that was funny, even though he didn’t mean for it to be that way. He was always the center of attention, even when he wasn’t doing anything!

Everyone was against him and I said ‘Is there anybody in this room who didn’t watch this guy the entire day? I’ve heard everyone talk about this guy. Why? He’s the sleeper money in this group.’

So we brought him [to the Performance Center] and there’s not a week goes by that somebody doesn’t send me a clip or a photo of him doing something where there’s 10 or 15 people around him watching. He’s just one of those naturally charismatic people that you can’t put your finger on why.

I look for that more than I look for anything else.

Is he ever going to do a moonsault? Probably not. Is he ever going to be a Shawn Michaels in the ring? I guarantee you he won’t. But, if he loves it, if he works hard and keeps himself straight, he’s probably going to make it and he’s probably going to be good.

That’s the biggest thing to me, the charisma factor.”

You kind of answered my next question, but I’ll ask it anyway. When you’re scouting someone, what do you specifically look for?

“Look, I mean there are other factors as well. I don’t want to make it sound like ‘Oh, look at this guy he has a big personality and forget all of the rest of it.’ Obviously athleticism, the willingness to do this, the desire to work hard, but then there’s leadership qualities that we really look for.

When guys go to a camp, sometimes people watch them and go, ‘You’re just making these people throw-up in garbage can because you’re working them so hard.’ I want to push them to where they’re really outside of their comfort range and then see what they do with it.

It’s really easy to be nice and be the perfect professional when you feel great, but when you’re on the verge of puking in barrel and you’re exhausted and there’s someone barking at you to do more and the guy next to you just fell on you because he’s at the same place you are, do you help pick him up or do you curse at him and go about your own business?

There are differences in how people react to things. I’m looking for leaders. I’m looking for someone that can be a professional. I’m looking for the consummate athlete on all aspects.

It’s not just one thing, but if you ask me the one thing I look for, charisma is king.”

Going back for a second to the guy that you were talking about in China; it seemed as though there was and still is a certain look that a talent needs in order to reach a certain level of success in WWE. Now, obviously there have been exceptions to the rule, but it seems like over the past few years you’ve bucked that trend. How did that transition happen?

“So, I’m a big believer in talent is talent. It comes in all shapes, sizes, looks, feels, everything. I think sometimes there’s been a bad rap of like take this as the thing that’s most successful, so that’s what we’re going to give.

I think that’s happen here in the past. People can say whatever about WWE and look, is there a particular style of athlete [we look for]? Sure, it’s like that in anything.

If you’re shown steak all of the time, it’s no surprise that you’re going to eat steak. So when everybody coming to you with the same look and feel, a certain pattern begins to develop because that’s what being put in front of you and that’s what you have to select from.

My selection process is different. Yes, I understand what Vince likes and what Vince sees in an ideal archetype performer, but I also know him well enough to know that he likes a lot of different archetypes, so I’m not going to give him one; I’m going to give him a little bit of everything.

He’s going to see a Bray Wyatt and go (Vince voice) ‘That’s great!’ He’s going to see a Braun Strowman and go ‘Ah yeah, that’s my wheelhouse right there. I love that.’ He’s going to see Finn Balor and hear the girls going nuts and then see the paint and go ‘Geez look at that, I love that!’ That’s something that I don’t think would have been put in front of him eight years ago.

I sometimes wonder if Bray Wyatt would have been put in front of him 10 years ago. I don’t know that he would of. That doesn’t mean that Vince wouldn’t have loved him back then.

I want there to be so much diversity on every level. I want it to be international diversity. I want there to be something for everybody within WWE so you can gravitate towards characters that you can relate to. That’s still a work in progress.

It’s a work in progress when you look at the Performance Center and you look at the talent there and see that 40 percent of the talent is international now, there’s 17 countries represented. A quarter of the talent there is women. The diversity level is at an all-time high and that’s on purpose. We’ve done that for desired effect.

Is it showing right now on the main roster? Nah, not necessarily because it’s going to take a little bit of time to percolate up, but it’s there.

I want that diversity. When you talk about the women, I want there to be a Sasha Banks; the smaller, run her mouth, cocky, arrogant, little athlete. I want there to be a bigger, dominant athlete like a Charlotte. I want there to be a Nia Jax that brings a whole different danger component. I want there to be a Bayley that is this naïve, fan-friendly, little girl centric character that everybody loves.

Then you still want there to be the Bellas, who are like the Kardashians of the women’s division. You want that variety.

It’s the same with the guys. I want there to be a Cena, I want there to be a Randy Orton. But I also want there to be a Bray Wyatt. I want there to be a Braun Strowman. I want there to be a Finn Balor. I want there to be a Samoa Joe or a Kevin Owens. Big Cass and then a little guy like Enzo that can run his mouth nonstop.

I want that diversity.”

As I looked at the WrestleMania card and noticed all of the former NXT stars, I thought about how much the roster has changed over the last year. There have been so many guys and girls that have gotten the call-up to the main roster, how challenging has it been to deal with such a major transition to NXT?

“So that’s been the most challenging thing for me in the last year. When we had the draft, 16 talents got called up. I started over with the women’s division. Thank God I kept Asuka because she’s been the anchor. My male division was pretty much stripped down. I lost a lot of it.

Behind the scenes, the same thing happened. My executive producer that works with me on the show got called up. I got a new one; he made it two weeks before he got called up.

I lost my edit team that helped me get the feel and the look of the brand because they got called up. I was thrilled for them. They were so good that the office said, ‘Look we’re expanding, we’re going to do 205, we’re going to do this, we’re going to do that. We need these people.’

I’m very hands on with the writing of NXT and the team that was writing NXT with me got called up. When we split the brands, we needed a different writing team and they got called up.

So I started over with this whole new team and they needed to get their feet on the ground. It was really a brand new start over point for us. That’s challenging, but that’s also to me part of the strength of NXT. It’ll change, but it’ll be fresh and it’ll be different than it was a year ago. I’m not saying it’s always going to be better, but it’ll be different.

I just got a whole new behind the scenes team and it’s taken me since SummerSlam to get them, but I just got them and I’m really excited about it. I feel like for the first time since the draft, NXT is back in business and we’re going to rock and roll.

I’m looking forward to NXT constantly keeping us on our toes and the demand for more and more on the main roster, the demand for more and more shows, whether that is localized content in the UK, or the cruiserweight division or the women’s tournament that we’ll have coming up sometime this year.

All of those things are exciting opportunities and make NXT an exciting opportunity.”

Can you describe what it feels like to see a talent that has had success in NXT, but struggles to find their footing on the main roster?

“It’s hard for me. It’s hard for them. It’s a difficult situation. I say this to talent all of the time, careers are marathons, they are not sprints.

Even though we say it’s a third brand, it really is and you might never make it out of NXT and you’ll do really well in your career, but if you do get the chance to go to Raw or SmackDown, it’s like starting over. You’re starting over with new management and new everything. The job is the same, but you’re starting over and you have to re-earn your stripes. It’s a slightly different product.

It used to be that way in the territory days. You might be over in one territory and take the gamble to go to another territory and sometimes it works and sometimes it doesn’t.

It can be frustrating for them. They ask a lot of questions and we try to give them as much guidance as we can.

The other thing though that everybody has to remember is that in today’s world if you’re not “The Guy or The Girl” at the very top, the number one draw, you can still be a talent on Raw or SmackDown and working all of the time and be doing very, very well for yourself.

Do you always want more? Yes. Will that come over time? Maybe.

You reinvent yourself, you work hard. You continue to do the things you’re doing.

Back to the career being a marathon and not a sprint; when you’re a few years in, being on Raw or SmackDown and you’ve only been in the business for four years or whatever, it’s not a bad place to be.

If two years down the line you get that ride up to a much higher level, it’s a pretty good run.”

Twitter: @ScottDargis

WWE’s Bayley: Facing Stephanie McMahon would be a ‘dream’ match

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Even though Bayley made her main roster debut back in late-August, she’s quickly become one of the biggest fan-favorites on the main roster. Before she defends her Raw Women’s Championship at WrestleMania, Sunday, April 2 at 7pm ET live on WWE Network, I had the chance to chat with Ms. Hug Life about her extra time in NXT, if she asked for any advice from The Rock and her dream opponent. 

Me: While three of the “Four Horsewomen” were called up to the main roster, you stayed down in NXT. Do you think you needed the extra time in developmental?

Bayley: “Yeah, now looking back I definitely did. At the time obviously I was like what about me? I’m ready, let’s go! I wanted to do everything that they did. Now looking back, I think that has been the most important year of my career. I look back and think I wasn’t ready. I was so dependent on them throughout my years in NXT. If something went wrong, I always had them, but the year without them was all on me.

The whole division relied on me, everybody came to me for advice. If something went wrong, it was my fault. I really needed that leadership to build confidence in myself. In the future if I’m the leader for the locker room in WWE, I know that I can handle it. I was able to work with girls that have never been in a wrestling ring with before, girls who were just getting started, and girls who have been doing it forever like Asuka.

It was the most important year and maybe one of the most fun years I’ve had.”

You’ve been on the road with the main roster for seven months now; do you find yourself still adjusting to what life is like on the main roster?

“A little bit … the actual backstage and being in WWE was easy because in NXT the coaches and Triple H had prepared us for what to expect. That’s what the Performance Center is for, from doing promo class, to being in the ring for hours, to watching your matches back.

It’s the traveling and not being able to see my dog every day when I get home (laughs) that’s a little bit harder to deal with. I don’t think I’ll ever get used to that, but it’s all worth it though.

The brands are split right now; I can’t imagine what it would have been like to do two TV [tapings] every week.”

What’s the first word that comes to mind when you think about winning the Raw Women’s Championship?

“Oh man … just unbelievable. I just didn’t expect all of that to happen so fast.”

Obviously you’re a lifelong fan and I’m sure you envisioned that moment happening, so what went through your mind as you stood there with the title, in the ring, in front of thousands of people?

“I wish my family was there. That was the first thing that I thought about. My mom always says, you have a title match, should I be there? She was at every single NXT title match because she never knew if that was going to be the night. I just knew that she was going to be so mad that she wasn’t there.I knew they were watching.

I was in the Cow Palace when Eddie Guerrero won his first [world] title. I felt like I knew him and was so happy for him. I remember him jumping into the crowd and the crowd being so happy and then I did that and I just had that vision in my mind. It was weird! The crowd just made it more special considering my family wasn’t there. It was just amazing.

Did The Rock give you any advice when you met him?

“He told me that he watches and said you’re the champion so you must be doing something right. I was like, yeah I guess so. I didn’t want to take up too much of his time. He said that he really enjoys watching. I hope he wasn’t just saying that to be nice though.”

Recently you’ve been paired on television with Stephanie McMahon quite a bit and she plays a character that rarely gets one-upped by a babyface. Have you thought about Bayley-Steph in the same way that “Stone Cold” Steve Austin had Vince McMahon?

“I’ve thought about that so many times. Even when I was a kid (laughs). When she was having matches with Lita, I was like I want to have matches with Stephanie one day. That’s one of my dream matches to be honest.

If it could continue on, like you said with Austin and Vince, that would be so much fun, but I’m sure it’s a little much to ask for right now.”

Do you find yourself putting extra pressure on your shoulders because you’re the champ going into WrestleMania?

“Yeah totally. I’m probably doing way too much. Leading up to it I’m just stressing myself out. Do I need to get into the gym three times a day and try to still make everyone happy by doing all of these things that I need to do? I don’t even really know how to prepare for Mania, so I’m just doing what I think I need to do and I might be doing too much.

I think once I get to Orlando and I can digest what’s actually happening and appreciate it and know like holy crap dude, you’re here, then I’ll be able to calm down a bit. Right now, I have to be over-prepared.”

Twitter: @ScottDargis