WWE

WWE weekly recap: Is this real life?

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Did you miss me?

WHAT

Wondering where this column has been?

WHAT

Where was I for the SummerSlam build?

WHAT

You probably didn’t even notice I was gone.

Oh c’mon, that’s all I had to do to stop the what chants?

Stone

Well for those who are actually wondering where I’ve been the past two weeks, it has something to do with five colored rings and sports such as handball, badminton, and equestrian. Not going to lie, it was nice to not have to stress out about writing this column because the pair of Raw and Smackdown episodes leading into SummerSlam were satisfactory at best, but thanks to the amount of news coming out of the 13 hours of WWE programming this week (and a special bonus segment from Talking Smack), talking about professional wrestling is going to be super easy. It also means that this column is going to be long af, but not nearly as long as the six hour monster that aired this past Sunday.

There is absolutely no reason for a wrestling show to go more than three hours. If built correctly, a WrestleMania card might have the juice to go four hours, but odds are the crowd is going to be really tired by the main event. The 18,000 at the Barclays Center on Sunday didn’t have enough fuel to reach 9:30 due in part to the questionable match order, but mostly it was thanks to the monstrous length.

If the show would have ended after Styles-Cena, the crowd would have walked out happy and wouldn’t have seen the incredibly boring match between Ziggler and Ambrose for the WWE World title. Balor’s right labrum would still be intact and Randy Orton’s head wouldn’t have a Harry Potteresque lightning bolt on it.

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Sure it’s nice that the added time gives everyone an extended chance to tell their stories, but there was plenty of nonsense that could have been cut out of the show (Hi Jon Stewart!) in order to keep the crowd engaged.

In order to keep you engaged, let’s move on to more important topics.

What is Even Real?

Between Samoa Joe’s Slammy nominee for best sell of the year, Brock Lesnar’s brutal elbow to the head of Randy Orton (I dare you to look at the photo again), Sami Zayn’s “ankle injury” on Monday and the best promo of Miz’s life, the line between what’s real and what is fake is getting incredibly blurry, which means we’re all winning right now as wrestling fans.

It’s so much easier to be intrigued by the product as a whole when you can’t tell if something was scripted to happen. Take that promo by Miz for instance, the way Bryan pushes the issue about Miz’s style and Renee’s reaction is effing perfect. Renee may not have been cued in about what was going to be said, which is why her reactions were so great, but we don’t know for sure and that’s the beauty of it!

According to Dave Melzer of the Wrestling Observer, the conclusion to Orton-Lesnar went as planned. I doubt they anticipated a pool of Orton’s blood to form in the center of the ring, but a ref stoppage and a TKO victory was exactly what they were going for. This is the second straight year Lesnar has closed SummerSlam with a BS finish.

Bonus question: Who did Brock Lesnar face last year in the main event of SummerSlam?

I thought the finishing sequence was actually very well done! Sure it didn’t go as planned, but it looked brutal and got people talking and it gives Orton a match with Lesnar down the road. I’ve gotten into disagreements with people who cannot believe that Vince would send a legit MMA fighter out in the ring to bust someone open with his fists and elbows. “Just let them blade.” This is a guaranteed way to get a bit of color and add drama to the final shot of the company’s second biggest PPV.

Was this the right way to end SummerSlam IMO? No, but booking Brock Lesnar appears to be similar to solving a 10,000 piece puzzle.

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Even the Demon King Can be Injured

We should have known the rocket that was strapped on Finn Balor’s back was going to have a complication when Vince lit the fuse. The Demon King’s (I promise that’s the last time I’ll use his nickname in this column) performance at SummerSlam is even more impressive now that we know about the injury he suffered midway through the match.

The injury occurred when Rollins powerbombed Balor into the ringside barricade. Balor looked like he was about to land just short of the barricade and reached back to hook the top of the padding. His right arm landed at an awkward angle, which caused his right shoulder to pop out of its socket. Here’s the video:

If you’re squeamish, look away from the photo below:

Balor

The camera quickly cut away from Balor as he popped his shoulder back into place so he could finish the match. Balor pinned Rollins clean in the middle to become the first Universal champion, but his reign would quickly come to an end as Balor was forced to relinquish the title on Raw after x-rays revealed that he suffered a torn labrum. It’s roughly a six-month recovery window, which would put him back in the middle of WrestleMania season.  The ideal scenario would be for Finn to be a surprise entrant in the Royal Rumble and win the match to get his rematch at WrestleMania, but he might not be ready to go in time.

With a stacked deck against them, the creative team designed a series of matches on Raw to determine participants in a Fatal Four Way match for the title next week. Either Rollins, Kevin Owens, Big Cass, or Roman Reigns will walk out of Houston with the big red strap. Rollins is the favorite to win the match, but it wouldn’t surprise me if Owens left with the title because this is a perfect opportunity to bump Owens up as a top heel on Monday nights. It’s a nice spot for Cass, but he’s still too green to win the title and this doesn’t feel like the right time to give Reigns the title again.

 

The New Face of Tuesday Nights

We now know why AJ Styles ate a clean pin at Battleground and in the six-pack challenge on the inaugural SmackDown Live. Sometimes WWE’s booking makes no sense, but you can see the pattern. They didn’t want to give Styles too much momentum heading in SummerSlam and by making him seem beatable, it made his CLEAN win over Cena that much more surprising.

I mean seriously, when is the last time a heel “won” a feud against Cena and did it by pinning him without cheating?

Harry

With Cena off to film another season of American Grit, Styles is now the top star on SmackDown, especially after the debacle that was Ambrose and Ziggler. The Ambrose train was flying down the tracks, but after his borderline heel performance on Sunday, the awkward build to his match with Ziggler and the goofy backstage segment on Tuesday, you can hear the engine starting to sputter. He and Styles had a decent match a few months ago on Raw and I would expect the two to have a better showing at Backlash, but the crowd could be dead by the time the two make their way through the curtain, especially if we have to witness American Alpha vs. Heath Slater and Rhyno for the nickel tag titles.

This feels like the right time to give Styles a run with the title. He’s been nothing but exceptional since turning heel back in May, especially on the microphone, and deserves to hold the title for the rest of the year.

Which Show was Better this Week?

I’ve had this song stuck in my head for days thanks to the fans at the Barclays Center for belting it out in unison during Bobby Roode’s incredible entrance.

In all seriousness, NXT Takeover: Brooklyn II was the best show of the past week and it really wasn’t close. Outside of Ember Moon’s debut (which wasn’t terrible by any means), the show moved at a great pace and featured a match of the year contender between Tommaso Ciampa-Johnny Gargano and The Revival. There was also a damn fine match between Asuka and Bayley and Shinsuke Nakamura defeated Samoa Joe for the NXT title, so yeah this is worth your time if you haven’t watched it yet.

Time to “Go Home”

Ah I thought we were finally going to get the Bubba Ray heel turn, but instead we got a legitimate going away promo from the Dudleys. Maybe Velvet Sky is right. I’m not sure if a PG version of Bully Ray would work.

– Kudos to the crowd on Monday night for chanting “delete” after D’von mentioned the Hardys.

– Styles needs to keep wearing John Cena’s armband until Cena comes back for revenge.

– I just about lost my mind when Seth Rollins busted out the GOD’S LAST GIFT against Balor:

– With guys using multiple finishers now, I hope Rollins gets a few wins with this move to help get it over with the crowd.

– I agree with Rollins’ tweet about the crowd’s negative reaction to the look of the Universal title. The crowd essentially hijacked the beginning of the match by chanting about their displeasure for the new belt. Sure it isn’t the best looking title, but there’s no reason to lose focus on a match between two of the best guys in the business today.

– Bayley is finally on the main roster! Now she gets to face Dana Brooke every other Monday night.

– Titus’ promo had to be a rib right? There’s no way he was scheduled to have that much time. I thought he started off OK, but man by the end I just felt bad for the guy.

– Can this feud between The Club and New Day please come to an end? These segments aren’t funny and just come off as a waste of time

– Was Monday the beginning of the wrestler-to-manager transition for Enzo?

– Jericho, Owens and (insert name here) Phillips are just money together.

– I think Arn Anderson would be a better tag team partner for Heath Slater than Rhyno.

– Breezango and American Alpha had quite the little match on Tuesday night.

– The new stage that was used on SummerSlam, Raw , and SmackDown is fricking beautiful. LOVE the LED ramp.

– At least they’ve found something for Carmella, but my god she should never throw ground and pound punches ever again.

– Naomi should also never be a guest commentator again.

– I can get down with Orton vs. Bray.

– Shane McMahon said on SmackDown that the six women on SmackDown would face off in the first ever women’s six-pack challenge match…

– Guess he’s didn’t pay attention to the second to last match at the 2001 Survivor Series.

– SmackDown’s version of the tag and women’s title look so much better than Raw’s.

– I wonder if Shane is going to find someone besides Orton to try and get revenge for Brock’s attack on him at the end of SummerSlam. Perhaps someone who is Samoan? Perhaps someone who has a name that rhymes with toe?

– I’d pay $9.99 to watch Lesnar vs. Jericho in a Lion’s Den match.

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Follow me on Twitter: @ScottDargis

Paul ‘Triple H’ Levesque’s quest to change WWE as we know it

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Paul Levesque, aka “Triple H”, has evolved from one of the top performers of his generation, to a prominent role behind the scenes as the Executive Vice President of Talent, Live Events and Creative for WWE. I had the chance to chat with “HHH” about what he specifically looks for when he’s recruiting new talent, why this past year has been so challenging for NXT and how he presents new talent to Vince McMahon. 

(Don’t miss NXT Takeover: Orlando on Saturday, April 1 at 8 p.m. ET Live on WWE Network)

Me: You’ve had an incredible in-ring career; a 14-time world champion. As I look up and down the WrestleMania 33 card I see so many NXT alums and I wonder, what did you learn from your time as a performer that has helped you as an evaluator of talent?

Paul “HHH” Levesque: “Oh man … everything that I’ve learned since I’ve walked through the door. The funny thing for me is that I’ve been in a unique position during my career. I was fascinated early with the behind the scenes and production aspects of the business.

So, shortly after I came to WWE I was in creative conversations with Vince that led to me to being offered to come to production meetings, which I didn’t have to go to. I would get up early on TV days and go to these production meetings that I didn’t need to be a part of. People thought I was crazy, but I wasn’t trying to do anything more than learn. I wanted to learn what they were looking for.

The vision of what the talent thinks they want and what the office thinks they want are sometimes two different things.

I have the unique perspective of having both sides and that allows me to I think look at talent a different way, but to also to be able to say here’s what you need to be able to do. Here’s the way you need to be able to work at it. Here’s the way you need to perceive cameras and how cameras see you. How you put your character out there and how you put your brand out there.

At the end of the day for us, characters are all about charisma. So that’s the thing you’re looking for the most. I see a lot of unbelievable athletes come through the Performance Center; sometimes they have charisma, sometimes they don’t.

I’ve hired a lot [of people] that have charisma, but aren’t necessarily the greatest athletes we saw that week because you just can’t take your eyes off of them.

For example, there’s a guy that I hired in China that everybody on the team who was over there didn’t put this kid on the list and when we went through the list at the end of the day of who we’re going to offer an opportunity to come and train with the WWE I was like, ‘Where’s this kid?’ and everyone was like, ‘You’re kidding, right?’

I was like, ‘No, where is he?’ He was heavy and a Mongolian wrestler, so he’s athletic but he’s heavier and in some ways he’s not anything we would look for, but he worked his butt off. He was always last, but he never quit man. He just went. Some guys would pull up with an injury and they’d go sit out. You could clearly tell that they were just gasping for air and needed to sit for a second. They’d be back ten minutes later.

He gutted through everything and you couldn’t take your eyes off of this guy. He did stuff that was funny, even though he didn’t mean for it to be that way. He was always the center of attention, even when he wasn’t doing anything!

Everyone was against him and I said ‘Is there anybody in this room who didn’t watch this guy the entire day? I’ve heard everyone talk about this guy. Why? He’s the sleeper money in this group.’

So we brought him [to the Performance Center] and there’s not a week goes by that somebody doesn’t send me a clip or a photo of him doing something where there’s 10 or 15 people around him watching. He’s just one of those naturally charismatic people that you can’t put your finger on why.

I look for that more than I look for anything else.

Is he ever going to do a moonsault? Probably not. Is he ever going to be a Shawn Michaels in the ring? I guarantee you he won’t. But, if he loves it, if he works hard and keeps himself straight, he’s probably going to make it and he’s probably going to be good.

That’s the biggest thing to me, the charisma factor.”

You kind of answered my next question, but I’ll ask it anyway. When you’re scouting someone, what do you specifically look for?

“Look, I mean there are other factors as well. I don’t want to make it sound like ‘Oh, look at this guy he has a big personality and forget all of the rest of it.’ Obviously athleticism, the willingness to do this, the desire to work hard, but then there’s leadership qualities that we really look for.

When guys go to a camp, sometimes people watch them and go, ‘You’re just making these people throw-up in garbage can because you’re working them so hard.’ I want to push them to where they’re really outside of their comfort range and then see what they do with it.

It’s really easy to be nice and be the perfect professional when you feel great, but when you’re on the verge of puking in barrel and you’re exhausted and there’s someone barking at you to do more and the guy next to you just fell on you because he’s at the same place you are, do you help pick him up or do you curse at him and go about your own business?

There are differences in how people react to things. I’m looking for leaders. I’m looking for someone that can be a professional. I’m looking for the consummate athlete on all aspects.

It’s not just one thing, but if you ask me the one thing I look for, charisma is king.”

Going back for a second to the guy that you were talking about in China; it seemed as though there was and still is a certain look that a talent needs in order to reach a certain level of success in WWE. Now, obviously there have been exceptions to the rule, but it seems like over the past few years you’ve bucked that trend. How did that transition happen?

“So, I’m a big believer in talent is talent. It comes in all shapes, sizes, looks, feels, everything. I think sometimes there’s been a bad rap of like take this as the thing that’s most successful, so that’s what we’re going to give.

I think that’s happen here in the past. People can say whatever about WWE and look, is there a particular style of athlete [we look for]? Sure, it’s like that in anything.

If you’re shown steak all of the time, it’s no surprise that you’re going to eat steak. So when everybody coming to you with the same look and feel, a certain pattern begins to develop because that’s what being put in front of you and that’s what you have to select from.

My selection process is different. Yes, I understand what Vince likes and what Vince sees in an ideal archetype performer, but I also know him well enough to know that he likes a lot of different archetypes, so I’m not going to give him one; I’m going to give him a little bit of everything.

He’s going to see a Bray Wyatt and go (Vince voice) ‘That’s great!’ He’s going to see a Braun Strowman and go ‘Ah yeah, that’s my wheelhouse right there. I love that.’ He’s going to see Finn Balor and hear the girls going nuts and then see the paint and go ‘Geez look at that, I love that!’ That’s something that I don’t think would have been put in front of him eight years ago.

I sometimes wonder if Bray Wyatt would have been put in front of him 10 years ago. I don’t know that he would of. That doesn’t mean that Vince wouldn’t have loved him back then.

I want there to be so much diversity on every level. I want it to be international diversity. I want there to be something for everybody within WWE so you can gravitate towards characters that you can relate to. That’s still a work in progress.

It’s a work in progress when you look at the Performance Center and you look at the talent there and see that 40 percent of the talent is international now, there’s 17 countries represented. A quarter of the talent there is women. The diversity level is at an all-time high and that’s on purpose. We’ve done that for desired effect.

Is it showing right now on the main roster? Nah, not necessarily because it’s going to take a little bit of time to percolate up, but it’s there.

I want that diversity. When you talk about the women, I want there to be a Sasha Banks; the smaller, run her mouth, cocky, arrogant, little athlete. I want there to be a bigger, dominant athlete like a Charlotte. I want there to be a Nia Jax that brings a whole different danger component. I want there to be a Bayley that is this naïve, fan-friendly, little girl centric character that everybody loves.

Then you still want there to be the Bellas, who are like the Kardashians of the women’s division. You want that variety.

It’s the same with the guys. I want there to be a Cena, I want there to be a Randy Orton. But I also want there to be a Bray Wyatt. I want there to be a Braun Strowman. I want there to be a Finn Balor. I want there to be a Samoa Joe or a Kevin Owens. Big Cass and then a little guy like Enzo that can run his mouth nonstop.

I want that diversity.”

As I looked at the WrestleMania card and noticed all of the former NXT stars, I thought about how much the roster has changed over the last year. There have been so many guys and girls that have gotten the call-up to the main roster, how challenging has it been to deal with such a major transition to NXT?

“So that’s been the most challenging thing for me in the last year. When we had the draft, 16 talents got called up. I started over with the women’s division. Thank God I kept Asuka because she’s been the anchor. My male division was pretty much stripped down. I lost a lot of it.

Behind the scenes, the same thing happened. My executive producer that works with me on the show got called up. I got a new one; he made it two weeks before he got called up.

I lost my edit team that helped me get the feel and the look of the brand because they got called up. I was thrilled for them. They were so good that the office said, ‘Look we’re expanding, we’re going to do 205, we’re going to do this, we’re going to do that. We need these people.’

I’m very hands on with the writing of NXT and the team that was writing NXT with me got called up. When we split the brands, we needed a different writing team and they got called up.

So I started over with this whole new team and they needed to get their feet on the ground. It was really a brand new start over point for us. That’s challenging, but that’s also to me part of the strength of NXT. It’ll change, but it’ll be fresh and it’ll be different than it was a year ago. I’m not saying it’s always going to be better, but it’ll be different.

I just got a whole new behind the scenes team and it’s taken me since SummerSlam to get them, but I just got them and I’m really excited about it. I feel like for the first time since the draft, NXT is back in business and we’re going to rock and roll.

I’m looking forward to NXT constantly keeping us on our toes and the demand for more and more on the main roster, the demand for more and more shows, whether that is localized content in the UK, or the cruiserweight division or the women’s tournament that we’ll have coming up sometime this year.

All of those things are exciting opportunities and make NXT an exciting opportunity.”

Can you describe what it feels like to see a talent that has had success in NXT, but struggles to find their footing on the main roster?

“It’s hard for me. It’s hard for them. It’s a difficult situation. I say this to talent all of the time, careers are marathons, they are not sprints.

Even though we say it’s a third brand, it really is and you might never make it out of NXT and you’ll do really well in your career, but if you do get the chance to go to Raw or SmackDown, it’s like starting over. You’re starting over with new management and new everything. The job is the same, but you’re starting over and you have to re-earn your stripes. It’s a slightly different product.

It used to be that way in the territory days. You might be over in one territory and take the gamble to go to another territory and sometimes it works and sometimes it doesn’t.

It can be frustrating for them. They ask a lot of questions and we try to give them as much guidance as we can.

The other thing though that everybody has to remember is that in today’s world if you’re not “The Guy or The Girl” at the very top, the number one draw, you can still be a talent on Raw or SmackDown and working all of the time and be doing very, very well for yourself.

Do you always want more? Yes. Will that come over time? Maybe.

You reinvent yourself, you work hard. You continue to do the things you’re doing.

Back to the career being a marathon and not a sprint; when you’re a few years in, being on Raw or SmackDown and you’ve only been in the business for four years or whatever, it’s not a bad place to be.

If two years down the line you get that ride up to a much higher level, it’s a pretty good run.”

Twitter: @ScottDargis

WWE’s Bayley: Facing Stephanie McMahon would be a ‘dream’ match

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Even though Bayley made her main roster debut back in late-August, she’s quickly become one of the biggest fan-favorites on the main roster. Before she defends her Raw Women’s Championship at WrestleMania, Sunday, April 2 at 7pm ET live on WWE Network, I had the chance to chat with Ms. Hug Life about her extra time in NXT, if she asked for any advice from The Rock and her dream opponent. 

Me: While three of the “Four Horsewomen” were called up to the main roster, you stayed down in NXT. Do you think you needed the extra time in developmental?

Bayley: “Yeah, now looking back I definitely did. At the time obviously I was like what about me? I’m ready, let’s go! I wanted to do everything that they did. Now looking back, I think that has been the most important year of my career. I look back and think I wasn’t ready. I was so dependent on them throughout my years in NXT. If something went wrong, I always had them, but the year without them was all on me.

The whole division relied on me, everybody came to me for advice. If something went wrong, it was my fault. I really needed that leadership to build confidence in myself. In the future if I’m the leader for the locker room in WWE, I know that I can handle it. I was able to work with girls that have never been in a wrestling ring with before, girls who were just getting started, and girls who have been doing it forever like Asuka.

It was the most important year and maybe one of the most fun years I’ve had.”

You’ve been on the road with the main roster for seven months now; do you find yourself still adjusting to what life is like on the main roster?

“A little bit … the actual backstage and being in WWE was easy because in NXT the coaches and Triple H had prepared us for what to expect. That’s what the Performance Center is for, from doing promo class, to being in the ring for hours, to watching your matches back.

It’s the traveling and not being able to see my dog every day when I get home (laughs) that’s a little bit harder to deal with. I don’t think I’ll ever get used to that, but it’s all worth it though.

The brands are split right now; I can’t imagine what it would have been like to do two TV [tapings] every week.”

What’s the first word that comes to mind when you think about winning the Raw Women’s Championship?

“Oh man … just unbelievable. I just didn’t expect all of that to happen so fast.”

Obviously you’re a lifelong fan and I’m sure you envisioned that moment happening, so what went through your mind as you stood there with the title, in the ring, in front of thousands of people?

“I wish my family was there. That was the first thing that I thought about. My mom always says, you have a title match, should I be there? She was at every single NXT title match because she never knew if that was going to be the night. I just knew that she was going to be so mad that she wasn’t there.I knew they were watching.

I was in the Cow Palace when Eddie Guerrero won his first [world] title. I felt like I knew him and was so happy for him. I remember him jumping into the crowd and the crowd being so happy and then I did that and I just had that vision in my mind. It was weird! The crowd just made it more special considering my family wasn’t there. It was just amazing.

Did The Rock give you any advice when you met him?

“He told me that he watches and said you’re the champion so you must be doing something right. I was like, yeah I guess so. I didn’t want to take up too much of his time. He said that he really enjoys watching. I hope he wasn’t just saying that to be nice though.”

Recently you’ve been paired on television with Stephanie McMahon quite a bit and she plays a character that rarely gets one-upped by a babyface. Have you thought about Bayley-Steph in the same way that “Stone Cold” Steve Austin had Vince McMahon?

“I’ve thought about that so many times. Even when I was a kid (laughs). When she was having matches with Lita, I was like I want to have matches with Stephanie one day. That’s one of my dream matches to be honest.

If it could continue on, like you said with Austin and Vince, that would be so much fun, but I’m sure it’s a little much to ask for right now.”

Do you find yourself putting extra pressure on your shoulders because you’re the champ going into WrestleMania?

“Yeah totally. I’m probably doing way too much. Leading up to it I’m just stressing myself out. Do I need to get into the gym three times a day and try to still make everyone happy by doing all of these things that I need to do? I don’t even really know how to prepare for Mania, so I’m just doing what I think I need to do and I might be doing too much.

I think once I get to Orlando and I can digest what’s actually happening and appreciate it and know like holy crap dude, you’re here, then I’ll be able to calm down a bit. Right now, I have to be over-prepared.”

Twitter: @ScottDargis